彈奏、寫歌、自學簡單易懂零障礙
‧重要理論漫畫視覺化
‧情境提問引導+實例圖解
‧抽象艱深→具象易懂
為什麼小學音樂課都是用首調來唱?怎麼決定什麼調轉到什麼調?和弦為何都是3度堆疊?……讓笑中同感的漫畫快速解答你各種疑難!
調性就是為曲子定調、和弦則是定調的做法。本書站在初學可以現學活用的角度,就樂曲組成重中之重的「調性、和音/和弦」,從理論導入實務,揭開調性是怎麼決定歌曲使用的音、和弦、和各調性特質帶來怎樣的豐富情感,以及基礎的和弦編寫概念。
本書教你伴奏彈奏/寫歌/抓歌實用的樂理:
調與移調
首調與固定調的不同之處
調號與調
移調與轉調的不同之處
五度圈的應用
同主音調/平行調/屬調/下屬調
三和音/四和音
大三和弦/小三和弦/增三和弦/減三和弦
大七和弦/小七和弦/增大七和弦/減七和弦/屬七和弦/大小七和弦/半減七和弦
讀者書評
終於搞懂調和音程、音階之間的關係,對作曲、彈奏很有幫助。
演奏爵士或民謠吉他一定得會和弦,本書將那些麻煩的名稱變得好記好懂了。
作者簡介
侘美秀俊
生於北海道帶廣市,畢業自武藏野音樂大學。曾為陸上自衛隊音樂隊的委託作品、國民體育大會及音樂廳的號曲、院線電影原聲帶、劇場音樂及兒童歌劇等編寫樂曲,涉獵範圍非常廣泛。目前擔任Roland Music School電腦音樂指導者養成專案的講師、Thoth Music Academy涉谷校講師、表參道JBG音樂院講師,線上DTM學校Sleepfreaks講師。另著有《超音樂理論 泛音‧音程‧音階》等書。
相關著作:《超音樂理論 泛音‧音程‧音階》
譯者簡介
徐欣怡
台灣新竹人,畢業於台大電機系,綻放在臺灣東岸的鐵花全備型音樂人才培訓課程結業。喜歡日本文化之細膩內斂,愛好戲劇、音樂等各種形式的表演藝術。另有《超音樂理論 泛音‧音程‧音階》《圖解重配和聲 樂風編曲法》等譯作。
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