4ms Stereo Triggered Sampler (STS) 模組化合成器 - DigiLog 聲響實驗室
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4ms Stereo Triggered Sampler (STS) 模組化合成器

促銷價
NT$  15,000 NT$ 16,200
購買可獲得 150 點回饋
滿 NT$3,000 全台免運
1 年保固維修
信用卡 3/6 期 0 利率
分期資訊:
3 0 利率,每期 NT$ 5,000
6 0 利率,每期 NT$ 2,500
補貨中 (訂購後有專人聯繫)
NT$ 15,000
Stereo Triggered Sampler (STS) 模組化合成器 4ms Stereo Triggered Sampler (STS) 模組... NT$ 15,000

Stereo Triggered Sampler (STS)

4ms Stereo Triggered Sampler (STS) is a high fidelity, two-channel stereo sample recorder and playback Eurorack module. The STS can record high quality stereo files while simultaneously playing two different stereo files. A maximum of 600 samples can be loaded from the removable/swappable microSD card, in a variety of formats up to 96kHz/32-bit/stereo WAV. All sample parameters (1V/oct pitch, sample file selection, length, and start position) are CV controllable.

600 Samples

A maximum of 600 samples can be loaded at once, arranged into banks of 10 samples each. Samples and banks can be re-arranged on the fly using the simple on-board Edit features. Newly recorded samples can be instantly played back and re-pitched, reversed, chopped up, etc... the result of which can even be bounced down and re-recorded to as a new sample! Sample files are limited to 4GB each, which is over 6 hours at 44k/16b/stereo.

Two Stereo Playback Channels

Each playback channel has a knob and CV jack for Sample File selection, as well as a Start Position knob and CV jack for controlling where in the sample playback will begin. The Length knob and CV jack determine how much of the sample is played back: from tiny grains, to percussive hits, to longer loops... or just the entire file. These are powerful tools for re-arranging a sample, joining multiple samples, and creating dynamically re-sized loops within a larger sample. Combined with the Play Trigger jack and the 1V/oct jack, the STS can be two complete multi-timbral pitch-tracked stereo voices!

There's also a Reverse button and jack for backwards playback, and an End Out jack for synchronizing loops, or cascading sample playback with other events.

Looping and Sync

Looping is easy: just hold the PLAY button down for two seconds to toggle loop or one-shot. The loop timing clock will output from the End Out jack. Or, send a clock into the Play Trig jack to sync the loop to external timing.

Stereo Recording

Whether you patched 47 modules to create the ultimate percussive blast, or you want to capture your four hour ambient performance, recording high-quality .wav files on the STS is simple. Just hit the REC button or fire a trigger and a new stereo .wav file will be created on the SD card. Do as many takes as you need: the STS never deletes your files. Re-ordering or re-arranging samples into banks is easy, even without a computer. You can even fill a bank with 10 different variations and immediately use them for playback. By default the STS records at 44.1kHz/16-bit, with an option for 24-bit (a future update may increase the sample rate to 96kHz).

Easy sample loading

Using a computer is completely optional with the STS, since samples can be recorded directly to the module and placed into the bank of your choosing. But for users with large existing sample banks, the intuitive automatic bank loading features make dragging and dropping your entire sample library a snap. You never have to rename your files again!

Overview

  • Up to 600 samples can be active in banks at one time (10 samples per bank)
  • Hundreds of samples included on microSD card
  • Extremely quiet, low noise and low jitter design
  • Stereo or Mono operation:
  • Stereo mode: Two stereo files are mixed and played through the L and R output jacks (L+L and R+R)
  • Mono mode: Each file is mixed to mono and output through the channel's output jack (L+R and L+R)
  • Firmware can be updated by playing an audio file into the STS

Two independent playback channels

  • Each channel can output in mono or stereo through the shared L/R jacks
  • Play button/trigger jack: Tapping the button or receiving a trigger starts/re-starts the sample
  • When Length is set to "All", the Play button starts/stops the sample (see System Mode p.21)
  • Sample CV/knob: select which sample within the channel's bank
  • 1V/OCT CV and Pitch knob: playback pitch (-10 to +4.3 octave range)
  • Start Pos CV/knob: position in the sample to begin playback (loop start point)
  • Length CV/knob: playback time (loop end point)
  • Length knob at max: entire file is played
  • Length knob 50%-99%: 200ms - 5s of the sample is played (beginning at the Start Position)
  • Length knob <50%: Percussive decay envelope is applied to the playback (attack-only envelope if playing Reverse)
  • Length <1%: Tiny grains are played (can be used to sweep through sample file data manually)
  • Reverse button/jack: toggles forward/backwards
  • Bank button: selects channel's bank
  • Tip: Hold Bank and turn the Sample knobs for fast selection of bank
  • Edit button allows basic on-board editing features:
  • Set loop/trim points with Scrub Start and Scrub End
  • Set Gain (boost/cut from 10% to 500%)
  • Re-organize samples with Next File
  • Move samples around within a bank
  • Assign files from any folder on the microSD card into any sample slot (sub-folders are ignored)
  • Copy sample to multiple slots, each with their own loop/trim/gain settings
  • Reverse+Start Pos button/knob combo allows for setting volume of each channel independently.
  • Maximum file size for playback: 4GB per file (6.7 hours per file at 44.1kHz/16b/stereo)
  • microSD Card is hot-swappable when Busy light is off: no power-down required to change cards.
  • Samples that are pre-loaded into memory can continue playing while card is swapped.

Recording channel

  • Stereo recording can be simultaneous to operation of Play channels
  • Easily record output of sample playback, "bouncing" a play session into a new sample file
  • Recording initiated by button or trigger
  • Monitor mode lets you check the signal before starting a recording
  • Record into any sample slot in any bank
  • Every recording is saved as a wav file on the microSD Card and can be played back instantly
  • Edit features allow you to manually browse all the takes, and assign them to banks/sample slots
  • Recording can be disarmed to prevent accidental recordings
  • 44.1kHz/24-bit stereo or 16-bit stereo recording, selectable in System Mode
  • "Unlimited" recording time (records continuously until card is full)
  • 256GB card = 18 days of continuous recording (432.9 hours)
  • Audio data is split into maximum 4GB wav files on the microSD card

File Organization

  • Ships with a high-speed 16GB microSD card, loaded with over 200 samples from musicians such as Richard Devine, Wobbly, Moor Mother, Robert Aiki Aubrey Lowe, Joseph Pailo, Russell E.L. Butler, Hugo Paris & Marc Kate, Paul Barker, Baseck, and more
  • Intuitive bank/color organization system &em no need to rename your wav files
  • Record new samples directly to a bank with the Record Input jacks...
  • ... or drag your folders of sound files onto the microSD card, and each folder will become a bank.
  • Folders starting with a color name will be loaded into that color bank
  • Example "Blue - Frooty Loops" will load into the Blue bank
  • Sub-folders are ignored, only folders in the root directory are scanned for wav files
  • Works best with UHS Speed Class 3 cards with |3| symbol printed on the card

商品規格

通道
雙聲道立體聲錄音 + 兩組立體聲播放通道
最大樣本數
600(每 bank 10 個)
支援格式
最高 96kHz/32-bit/stereo WAV
預設錄音格式
44.1kHz/16-bit(可選 24-bit)
儲存媒介
可熱插拔 microSD 卡
單檔最大
4GB(44.1kHz/16b/stereo 約 6.7 小時)
音高範圍
1V/oct,-10 至 +4.3 八度
Gain 範圍
10% ~ 500%
模組寬度
20 HP
最大深度
0.98" (25mm) maximum depth with power cable
電力消耗
+12V rail: 145mA / -12V rail: 39mA
音訊輸入
20Hz to 20kHz (-7.6dB rolloff),21V peak-to-peak maximum before clipping
展開完整規格(4 項)
音訊輸出
0Hz (DC) to 22kHz,+10.5V to -10.5V maximum output
觸發輸入電壓
+2V to +12V(Latency: 0.7us minimum)
觸發輸出
+10V trigger pulse,Pulse Width: 13ms typical,最短 2.75ms
出貨配件
16GB microSD card,內含 200 個以上 samples

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模組化合成器選購常見問題

一個含電源的機箱(注意 +12V/-12V 電流預算)、一條基本聲音鏈——音源(VCO)、濾波(VCF)、放大(VCA)加上 envelope 與 LFO 調變來源,以及足量的 patch 線。先從小系統開始,理解訊號流再擴充。

HP 是模組寬度單位(1HP = 5.08mm),機箱以總 HP 計算容量;每顆模組會標示 +12V/-12V/+5V 的耗電流(mA),全部加總不能超過機箱電源的供應能力,建議保留 20–30% 餘裕。

半模組內部已預先接好訊號路徑,不插任何線就能發聲,插線則可改寫路徑——是理解模組合成最友善的起點,之後也能直接併入 Eurorack 系統使用,投資不會浪費。

這是模組世界的音高標準:控制電壓每升高 1V,音高升高一個八度。因為大家都遵守這個標準,不同廠牌的音序器、鍵盤與振盪器才能互相搭配、演奏出正確的音程。

可以,常見三種深度:用 MIDI to CV 模組讓 DAW 編曲驅動模組;用 DC-coupled 的錄音介面輸出直接從 DAW 送 CV;或用模組型音訊介面把多軌模組訊號分軌錄進電腦。從第一種開始最簡單,之後再依需求加深整合。

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