《圖解作曲‧配樂》是易博士出版的一本中文書,跳脫艱澀的理論,直接就作曲和配樂常見的主題情境,涵蓋 5 大音樂類型、40 種情境主題與 10 項深刻化技巧,提出包含和弦、節奏、調性、音階、樂器音色等上百項實用技法。
「對配樂主題沒 FU,無法交差好尷尬……」
「氣氛抓不準、情緒沒到位,怎麼辦才好?」
5 大音樂類型‧40 種情境主題+10 項深刻化技巧
運用意象作曲的科學方法,靈感不來也不怕!
不妨想像一下:
本書在和弦作曲法的主流中,跳脫艱澀的理論,直接就作曲和配樂常見的主題情境,提出包含和弦、節奏、調性、音階、樂器音色等上百項技法,只要設定好意象和情感,就能轉換成合適的音樂形式,創作出令人感同身受的樂曲。
能銘刻人心的樂曲總帶有鮮明的氛圍特性,令人一聽就在腦海中浮現鮮明的意象、渲染出豐沛的情緒,一如身歷其境。
作者簡介
梅垣ルナ LUNA UMEGAKI
作曲‧編曲家兼鍵盤樂器演奏者,東京都人。4 歲開始學習電子琴與鋼琴。學生時代開始正式的作曲生涯。學校畢業後,先後任職於 Tamsoft 與索尼電腦娛樂事業,2001 年後成為獨立作曲家。作品以遊戲配樂等動態影像作品為主,創作了各式各樣的曲子。代表作包括「可愛賽車」(チョロQ)系列、「洛克人 ZERO」(ロックマンゼロ)等遊戲配樂。同時也領軍自己的演奏組合「Lu7」,發表充滿想像力的曲子,並帶來令人心曠神怡的鍵盤演奏。至今已經發行 4 張演奏專輯,並積極地從事創作演奏活動。
譯者簡介
黃大旺
高雄路竹後鄉人,1975 年生於台北市。2002 年開始公開表演與發表作品,並參加各種樂團與合作計畫。2011 年參加環境即興/聲音拼貼組合「民国百年」,獲得 2012 年奧地利林茲市 Ars Electronica 電子藝術獎聲音藝術類榮譽獎。2014 年參加「造音翻土:戰後台灣聲響文化的探索」台北與高雄的展出,同年受 Ars Electronica 邀請,於林茲市中心擔任開幕演出。2015 年 6 月至紐約電子藝術節展出作品與演出,紀錄片《台北抽搐》(林婉玉導演)獲得台北電影節評審團特別獎。2016 年 5 月於倫敦「FORMLESS」音樂節演出,並參加與德國科隆媒體藝術學院(Kunsthochschule fuer Medien Koeln)的現場連線音樂會(台北)。譯著包括大竹昭子《日本寫真 50 年》、藤原新也《東京漂流》、平野甲賀《我的手繪字》(臉譜 source 書系)、溝口彰子《BL 進化論》(麥田出版)、飯澤耕太郎《私寫真論》(田園城市)等。
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