NIIO Analog IOTINE CORE 4 | DigiLog 聲響實驗室
買器材 » 聲音處理 » Filter » NIIO Analog IOTINE CORE 4
 0007 ic4 1 min 1
 0007 ic4 1 min 1
Ic4 3
Ic4 2

NIIO Analog IOTINE CORE 4

滿 NT$ 5,000 全亞洲區免運費

促銷價 NT$ 52,800

分期資訊:
30 利率,每期 NT$ 17,600
60 利率,每期 NT$ 8,800

商品狀態:預購商品(約 12 個工作天)

保固資訊:1 年保固 (不包含: 配件、線材、modular)
滿 NT$ 5,000 全亞洲區免運費
付款方式: 7 11 Family mart Hilife Ok Visa Jcb Atm Cash delivery

OTINE CORE 4

3 LAYER ANALOG SATURATOR

 

3 Sound Layers

3 VCFS   •   2 VCAS  •  2 Dynamic Analog Modulators  •  16 Saturation Circuits

1 Intense Analog Audio Processor for any Sound Source

 

Use as a flexible analog filter
Use as a unique compressor / expander
Mild sound shaping to intense audio destruction can be achieved.
Experience a direct electronic connection to the sound through a true analog device.

Other uses:  3 band boost EQ / ducker / panner / stereo filter

 

OVERVIEW
The IOTINE CORE was born from an appreciation of high end EQ's, coupled with an understanding that was gained though using a Roland SIP-300 and a PAIA over drive kit with samplers that analog distortion, which is caused by over saturating various types of analog circuits, creates an interaction between sound and electronics that is truly awesome. This interaction can transform the thinnest sound into something very intense, or emphasize specific elements of the sound creating texture and density.  Along with with, a living organic quality with a fascinating intricacy is formed that allows you to hear the electronic circuit as the voltage waveform is passing through physical components that are operating past their correct functional limits. While the term distortion is used here to describe the saturation circuits in the IOTINE CORE, keep in mind that the distortion is in different forms, and can be mild where the sound is only slightly changed.

In creating the IOTINE CORE an important aspect was to offer a selection of distortion circuits that are usable for a range of sounds and are not limited in frequency response, as most other distortion related products are; mainly because they are intended for guitar , and where the bottom frequency range isn’t wanted. Another desired aspect was a precise control over the DRIVE amount into the SAT circuits.  Each SAT has been tailored for the widest range of saturation.  

The IOTINE CORE can be used as a flexible filter unit as it contains three 12db Voltage Controlled Filters. The filters offer powerful sound shaping that dynamically move with the audio.   The 3 filters can be used in parallel or in series with 2 of the filters feeding distortion (SAT) circuit sets.  The 3 filters can act as a 3 band boost EQ with 2 bands having variable intensity, emphasizing aspects of the sound with control over texture and density.   The filters allow for various tonalities and distortion characteristics to be isolated and brought out from the sound.  Used mildly, frequency dependant density can be shaped and layered within the sound. 

These VCF’s can do full range frequency sweeps, or can subtly modulate in response to the sound.  Why 12db?   The 12db slope sits well over audio as it allows more audio in the slope outside of the cutoff frequency, as well as a wider Q, both of which allow the character of the filter to impact more of the sound.  That said, CH1 and CH2 can be patched in series, essentually creating a 24db response with the ability to off-set one filter frequency from the other.   A unique feature of the main VCF’s is the Q can be saturated by adjusting the input volume. An LED illuminates when the filter is saturated, so that on anything but the widest Q, the filter can be saturated with a limiting circuit designed into the filter Q. 

Amplitude modulation of the 2 main channels allows for deep compression and expansion with the smooth movement of the analog modulators.  Each channel can compress or expand from either modulator creating a dynamic breathing sound that pulls up or pushes down each layer so that, for example: the sound attacks and releases with one VCF/SAT and sustains with the other, or, the upper frequencies are compressed harder than the lower ones, or with a different movement by using different modulators.   

MODULATION
The VCA’s along with the VCF’s are modulated from two analog modulators that are responding to the audio entering the IOTINE CORE. One of the modulators is an envelope follower that is riding on top of the amplitude level of the audio, while the other is a triggered envelope that responds to a volume level over an adjustable threshold. Both of these precise and flexible modulators follow the audio inputs down to the waveform level and offer a range of engaging and responsive modulation that moves in relation to the audio. 4 step LED indicators display the output level of each modulator, allowing a visual indication of the modulation.

POST
POST is a third sound layer that can act as a 3rd EQ band, or a DRY sound layer with a VCF (featuring a different filter characteristic as well as free Q), or as a post filter following one or both of the SAT channels.  2 alternative circuits (a harsh dividing circuit and an octave generating circuit- also harsh, but both can be filtered) can be used as well.  

TRUE ANALOG
The IOTINE CORE uses audio and modulation paths that are free of digital processing or control, and kept as pure as possible for uncompromised raw analog audio quality and a living movement through analog modulation. The user interface features direct analog access to the audio and modulation circuitry which allows satisfying and precise control over the sound. This direct control gives the user an unparalleled connection to the sound.
With the IOTINE CORE subtle shaping to deep sound modification is achievable, and within each of the audio sections a mellow and smooth to dense and intense sound layer can be achieved. The three audio layers can be used together to create a richly complex and dynamic sound that contains countless elements of what makes analog so sonically appealing. To be used as a tabletop or rack-mounted unit, the IOTINE CORE uses solid, quality hardware for an interesting and engaging tactile experience.

USE and CONNECTIONS
Use with HARDWARE either directly connected into the inputs on the IOTINE CORE, or routed through the effects sends on a mixer. 
Use with SOFTWARE by patching the IOTINE CORE into the audio interface or mixer connected to the computer. 
The two modulation circuits can select to follow one of three audio inputs, (IN1, IN2, EXT). Each MOD has its own EXT input that can use either audio or CV / GATE from modular synths. 
All three channels (CH1, CH2, POST) can select from the two ¼” audio inputs.
All three channels are mixed internally with a MIX out, and individually output with their own ¼” out that allows for external effects or mixing to be applied to the separate audio channels.

INPUTS IN1, IN2 (balanced/unbalanced 1/4”), EF & ENV EXT (unbalanced 1/4”)
OUTPUTS CH1, CH2, POST, MIX (balanced/unbalanced 1/4”)
POWER 90-264 vac, 47-63hz
(WxDxH) 19 x 6 x 5.25“ / 482 x 160 x 133mm
WEIGHT 9Ibs / 4kg

 

 

 

 

 

使用評論:

目前尚無評論

購物須知 Q&A

Q1 . 何謂鑑賞期?

依消費者保護法之規定,網路購物享有商品到貨日起算七天猶豫期。必須提醒您,「 猶豫期並非試用期 」,鑑賞期目的為提供您檢視、參考,並非提供您商品的試用,若您收到商品經檢視後有任何不合意之處,請勿拆封使用,並立即依照退貨規定辦理退貨。商品退換貨必須是完整包裝,且勿缺漏各項配件及贈品,或自行拆損原廠包裝與外盒。若有任何遺失、損毀或是缺件,可能會引響到您的退換貨權益,也可能依照損毀狀況扣除復原之相關費用。


Q2 . 如何辦理退換貨?

若您確定要辦理退貨,請務必保持商品全新完整包裝,且勿損毀原廠外盒。包含商品本體、配件、保證書、原廠包裝、附隨說明文件等,均須包含在內,勿缺漏任何一項。若有其他可歸責您的原因,造成商品損毀,將無法辦理退貨,或須將損壞費用於退款中扣抵。但商品如有新品瑕疵問題,則不在此限,享有無條件退換貨服務。

請於鑑賞期內來電或來信,詳細告知我們欲退換貨之原因、商品現況、電話,及取件的地址,我們將於 3 - 5 個工作天內安拍退貨事宜。


Q3 . 如何收到退款、需要多少時間?

依不同付款方式,退款方式與時間也不同,說明如下:

信用卡付款:帶我們收到退貨商品後約 5 至 7 個工作天,款項將會退至您信用卡帳戶。請依信用卡結帳日判斷,刷退款項可能列於本月或次月帳單,退款進程請向信用卡發卡銀行確認。

匯款:請聯絡 service [at] digilog.tw 並提供您的完整匯款資料(銀行、分行名稱、銀行代號、戶名、帳號),我們將派快遞公司前去取回您的退換貨商品,並於 5 至 7 個工作天,將款項匯還至您所指定的帳戶。


Q4 . 商品維修的運費需要自行負擔嗎?

商品維修的往返運費須自行負擔。

Digilog