MATHS builds on the tradition set into motion in the 1960's when Don Buchla adapted circuits found within analog computers for musical purposes. Buchla's Algebraic Processor, Model 257 and 281 changed the way music synthesizers utilize control voltages. MATHS continues this great tradition of sculpting the control signals we use to sculpt our sound signals.
Generate a variety of linear, logarithmic, or exponential triggered or continuous functions
Integrate an incoming signal
With no signal applied, generate a variety of linear, logarithmic, or exponential functions
Add, subtract and OR up to 4 signals
Generate analog signals from digital information (Gate / Clock)
Generate digital information (Gate / Clock) from analog signals
Delay digital (Gate / Clock) information
If the above list reads like science rather than music, here is the translation:
Voltage Controlled Envelope or LFO as slow as 25 minutes and as fast as 1khz
Apply Lag, Slew or Portamento to control voltages
Change the depth of modulation and modulate backwards!
Combine up to 4 control signals to create more complex modulations
Musical Events such as Ramping up or Down in Tempo, on command
Initiating Musical events upon sensing motion in the system
Musical note division and / or Flam
Perfect for modulating the DPO and just about anything else
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